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BUILDING THE FRAME Preparing a piece for the Antler gallery show, The Ribbon, and the frame is almost done. Above is a photo of the part I just made. It is a copper wreath of sorts mounted on wood and then primed. It was a surprise when the contruction took on the shape of a heart. A great bonus from my subconscious. After two days of many hours of braising the copper components, I then fitted the shape for a final time on the wood plate. To do this I drill precise holes in the disc for the tabs welded into the copper wreath. I then used a high quality archival spray to unify the two parts. Eventually I will add a matte black gesso to pull some aspects back visually. While this 'frame' dries I gather supplies to continue the layout. Layout is a huge part of the process. Sometimes I see a piece fully formed, but other times -like this time- it is vague and hard to track. Above is the dried frame with porcelain parts being put in for layout. I then add garden leaves of real plants to try out their size/color and spacing- I call it foliage blocking. It can take hours to make the copper leaves so it helps to carefully layout test parts and to do multiple sketches, coloring in if necessary. USING AI FOR LAYOUT I also used some other tools this time around. I used AI Imaging to get rough ideas of what I wanted for layout. It mostly helped me determine what theoretically didn't work. I don't want to give away the final piece before delivery to the gallery so I will post those AI pics later in October. COLOR MATCHING STARTING POINT Another great new tool was using a photo of one of my favorite artists, Lucy Hunter, a flower arrangement genius. This gave me the color pallette I was aiming for. I could hold the photo up against the black frame for accuracy. Lucy Hunter is THE FLOWER HUNTER. I adore her work and use it as inspiration. In this picture I found the color pallete I needed to start from in THE RIBBON piece. chartreuse, white, pinks, cream and yellow. In the studio I am also making flower arrangements in porcelain but they are huge in 'time resource'. I have only finished one-see it below. I hope to have 5 pieces for Olympia Spring Artwalk APRIL/2026.
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October 2025
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