I call this studio, STUDIO 2, when caring for my grandparents. My grandparents have Alzheimers and dementia, and I work with my cousin to assist them.
It helps me to continue my sculpture and painting into that environment as well. And yes I cart the porcelain work back and forth sometimes...on the train no less!!
Not only can I continue my studio work, it is good to be doing my thing while caring for them. Caregiving can be a bit stressful. In addition, my grandparents enjoy seeing someone nearby and they enjoy seeing the activity and artwork. I set up with them in the tv room or in the bedroom for more privacy (if you've ever assisted such folk you know one's own space is needed too).
Seen above is the production and fine sculpture work I am working on in this bimonthly batch. The mushrooms are a current 'product' so I make plenty to have in the gallery in Olympia. The tulips, orchids and insects are components from my new series Orchidea imaginarium and for a show in May 2021.
VIDEO GAME ILLUSTRATION
My little brother is working on a video game this year and we are collaborating on the illustrations for it. I do love to sketch but usually only prep drawings for future sculptures or ideas. Its been fun to push the rusty drawing skills out into the open again! Though drawing on paper is definitely preferable to me, I find learning new skills in any area is a great challenge as well.
I pulled out my dusty, be-webbed Wacom tablet this month to see if it would do the trick. I have little skill at using the tablet but am learning fast. Its great to have so many talented graphic artists sharing their videos online and this has helped a lot. Above is the test samples I finished last night.
DOING IT ALL....
Between laundry, cooking, sculpting, painting and all its been a good balance. The body needs to shift and get rests in between all these ventures, so it helps to move between them during the day.
In preparation for a Dutch Masters Show at Food Art Collection Gallery in Seattle, I am making tulips. Though at first I thought they would be so much easier than crafting an orchid, they have been surprisingly difficult.
When sculpting in porcelain, I roll the petals very thin but leave the centers heavier for support. During this process I find I have to work quickly to shape each petal and attach before the porcelain becomes dry. Those petals flop around and make a mess of things when just starting out! But each flower I make goes more smoothly and one develops a rhythm.
Parrot Tulips are experiencing another surge of attention and well.....they are spectacular!! I am working on a porcelain batch (see upper right). And the picture on Left is of striated versions, but painted on glaze not Biscuit. Both sets above are only in their first wave of painted layers so the colors will deepen from here.
Originating in Turkey, tulips reached a frenzy of fanaticism in the 15th century of Holland. Though the 'Tulip Mania' lasted a short time, 1636-1637, it probably ruined many a speculative tulip buyer.
The Golden age of Holland, 1500-1700 was awash in wealth and art and tulips! I have been indulging my own obsession with this time period of artistic expression. Every month, painting and sculpting my own wee studies of the flower still lives, and 'sottobosco' the forest floor paintings. If you have been reading my blog, Rachel Ryusch and Otto Marseus Van Schrieck are favorites.
The new tulips on forest floor still lives will be ready in May and listed on this site as well as showing on www.foodartcollection.com .
My favorite Rachel Ruysch, "A 'Forest Floor' still life of Flowers." shown below.
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